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Ismail Gulgee was the receipient of Pride of Performance, Sitara-e-Imtiaz (twice), Hilal-e-Imtiaz and other artist awards and prizes.  The artist’s work was widely exhibited internationally during his lifetime and Gulgee is a leading name in the Pakistani art world. His paintings are in the collection of major art collectors worldwide. 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Safdar was a prolific painter and always took part in group exhibitions besides holding about a dozen one-man shows of his work. He was born in Gujrat in 1924 and made sets for films in Bombay. The artist designed stalls and set up an art sketch club between the years 1940-47.  Quite often he laboured on the background to give it a Cubist look and somehow fitted the human figure of the woman into it as part of the linear pattern. Safdar is an old master and rarely is his work available. His paintings are in the collection of serious collectors\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Mohen-jo-daro woman\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003c\/p\u003e","brand":"Unicorn Gallery","offers":[{"title":"Default Title","offer_id":113089347601,"sku":"","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1552\/3471\/products\/2013-05-29-13-19-03.jpg?v=1609498131"},{"product_id":"bashir-ahmed","title":"Bashir Ahmed","description":"\u003cp\u003eBashir Ahmed was born in 1953 and was the department head of miniature department at the National College of Arts in Lahore. A distinguished artist Professor Bashir Ahmed has been a traditional miniature artist working in the original Persian and Mughal miniature techniques and training  generations of modern miniaturists.\u003c\/p\u003e\n\u003cp\u003eBook: \u003cem\u003eMiniature painters, \u003c\/em\u003e‘Painters of Pakistan’ by S.Amjad Ali\u003c\/p\u003e\n\u003cp\u003eLahore was for centuries a flourishing centre of miniature painting. Three eminent elderly artists were working in this style in the early years of Pakistan: Ustad Haji Mohammad Sharif, Ustad Shujaullah and Ustad Aftab Ahmed Khan. They died, respectively, in 1978, 1980 and 1984.\u003c\/p\u003e\n\u003cp\u003eToday four of their pupils are keeping the traditions of this art alive in Lahore. They are Bashir Ahmed who teaches this art in the National College of Art, Lahore; Khalid Saeed Butt who teaches his subject in the Punjab University Fine Arts Department, Lahore; Salahuddin, who used to work in the Lahore Museum; and Shakeel Ahmad, who practices the art privately. A fifth artist, who also works in Lahore and teaches art in the Queen Mary’s College for Women, is Munira Alam. Bashir Ahmed is the most prolific and significant artist out of all of these.\u003c\/p\u003e\n\u003cp\u003eBook:\u003cem\u003eWinds of change, \u003c\/em\u003e’Painting in Pakistan’ by Ijaz Ul Hassan\u003c\/p\u003e\n\u003cp\u003eBashir Ahmed has also undergone the discipline required of a miniature painter. 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In his lifetime the artist executed several paintings, some of the themes included:  Moon-faced girls, stilll life, portraits of women and musicians at work. The artist was prolific and worked in pencil drawings, brush drawing, chemical drawings, water colour, mixed media, acrylic and oil paints. Mansur Aye the artist was self taught and had his first exhibition in Karachi at Karachi Arts Council in 1962.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBook: '\u003cem\u003ePainter of Pakistan' \u003c\/em\u003eby S. Amjad Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHe developed his own distinctive style which consisted of utter simplification of the image and rendering the face and the features with a few bold strokes. He used a very thick brush to make an outline of the face in the form of a circle, two straight lines for the thin long neck. A little dot sufficed for the small mouth and often the eyes were shown downcast coyly and drawn by just a semicircle with a fringe for eyelashes.\u003c\/p\u003e\n\u003cp\u003eThe vogue for Cubist abstraction was at its height in Pakistan in the 60s and so Mansur also crossed the face and neck with some diagnol lines and coloured them flat separately. 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In his lifetime the artist executed several paintings, some of the themes included:  Moon-faced girls, stilll life, portraits of women and musicians at work. The artist was prolific and worked in pencil drawings, brush drawing, chemical drawings, water colour, mixed media, acrylic and oil paints. Mansur Aye the artist was self taught and had his first exhibition in Karachi at Karachi Arts Council in 1962.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBook: '\u003cem\u003ePainter of Pakistan' \u003c\/em\u003eby S. Amjad Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHe developed his own distinctive style which consisted of utter simplification of the image and rendering the face and the features with a few bold strokes. He used a very thick brush to make an outline of the face in the form of a circle, two straight lines for the thin long neck. A little dot sufficed for the small mouth and often the eyes were shown downcast coyly and drawn by just a semicircle with a fringe for eyelashes.\u003c\/p\u003e\n\u003cp\u003eThe vogue for Cubist abstraction was at its height in Pakistan in the 60s and so Mansur also crossed the face and neck with some diagnol lines and coloured them flat separately. 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Some good-hearted people helped him with painting material so that he did not have to draw with charcoal taken from the hearth on which his meals were cooked, or to paint with juices pressed from leaves and flowers…\u003c\/p\u003e\n\u003cp\u003eJameel’s love of nature took him to Bengal (then East Pakistan where he wandered in the Sunderbans. He was enamored of the long thin curved boats that looked like the crescent moon and which were seen on all the rivers and lakes of the region. He painted this subject on many canvases and the massing of these crescent shapes gave a marked design quality to the picture….\u003cbr\u003e Jameel had to bear serious hardships and a grave tragedy towards the end of his life. He did not live long enough to benefit by the boom that took place in the art world of Karachi in the mid-eighties, otherwise the propitious circumstances could have led to much greater development of his art. He died in the early 80s and no one has yet filled the void he left in Karachi of a dedicated painter of landscapes in oils.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBook: ‘Image and Identity’ by Akbar Naqvi, chapter Karachi Artists,\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e….Another painter who made quite a stir was the self-taught landscape painter, Jamil Jhuggiwala, who came from Karachi’s jhuggi, or refugee settlement of ramshackle huts. 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His prominent rise and fame came after the screening of his remarkable, experimental black and white film: 'Through the eyes of a painter' screened in Berlin, for which the artist won the prestigious 'The Golden Bear' at the Berlin Film Festival.\u003cbr\u003e\u003cbr\u003eM F Husain depicted major icons of the subcontinent, through the ages, famed for his commercially successful and critically acclaimed series such as: 'Mother Teresa', 'Mahabharata', 'Theorama', 'Gaja Gamini' and more. \u003cbr\u003e\u003cbr\u003eM F Husain is today, one of the biggest names in Asian Art with an art career that spanned seven decades. Husain is also celebrated for being an accomplished filmmaker, well known for: 'Through the Eyes of a Painter' (1967) 'Gajagamini' (2000). Maqbool Fida Husain was honoured him with the Padma Bhushan and the Padma Vibhushan awards, prestigious civilian awards, as well as Qatari Nationality by the Government of Qatar. 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